The way which Hangzhou Triennial of Fiber Art unfolded, is to adopt the solo exhibition of a representative artist as a section of its own exhibition structure. This time we invited the artist Yin Xiuzhen. Taking into account of the present conditions of the venues, Yin presented seven works which created in recent years into seven exhibition halls within seven days. By using "Seven days" intervals, different sequences and special implications, these elements constitute Yin Xiuzhen's resheach-oriented and staged creation. During her process, where fiber serves as the main media, or as the way to conceive, she sewed and weaved personal experiences, memory traces along with changes of time through collecting, replacing and stitching fabrics. In an attempt to find diachronic memories in real time and space, to measure the complex relationship between individuals and society with the method of counterpoint. At the scene, where the feeling of being present is formed, the "collective subconsciousness" of our ordinary experiences are created spontaneously.