发表时间:2014-11-13

『巡展·交流』大师与庙堂——倪贻德艺术研究展亮相常熟美术馆

大师与庙堂——倪贻德艺术研究展亮相常熟美术馆

 

由学院美术馆主办的“大师与庙堂——倪贻德艺术研究展”于1020日结束在学院的展出后,移师至江苏常熟美术馆继续展出,展期为114日至30日。

作为由文化部主办的“2014年全国美术馆馆藏精品展出季”活动项目之一,本次展览是学院美术馆馆藏精品首次大规模赴外进行交流展示,共展出倪贻德先生作品78件,涵盖油画、水彩和速写等多种作品形式。标志着学院美术馆藏品展览品牌项目“大师与庙堂”系列迅速扩大影响,迈出走向全国的第一步。

1931年,倪贻德与庞薰琹等人在上海发起艺术组织“决澜社”,对中国近现代美术产生了深远的影响。倪贻德与庞熏琹被并称为“决澜双子”,因此本次交流展赴常熟美术馆也凸显出其特殊的意义:常熟是庞熏琹先生的故乡,常熟美术馆藏有大量的庞熏琹先生的作品及收藏。该馆常设展览“决澜长歌——庞熏琹艺术展”与本次“大师与庙堂——倪贻德艺术研究展”遥相呼应,“决澜双子”的作品在多年后再次共同展览,使参观者更能全面细致通过两位先生的艺术作品,了解20世纪上半叶中国美术的发展状态。

Master & Temple -- Art Exhibition of Ni Yide Opened in Changshu Art Museum

 

After finishing its exhibition in CAA on Oct. 20th, “Master & Temple -- Art Exhibition of Ni Yide” held by MCACAA moved to Changshu Art Museum in Jiangsu and the exhibition period was from Nov. 4th to 30th.

As one of the projects in “2014 National Art Museum Collections Exhibition Season” organized by the Ministry of Culture, this exhibition was the first time for collections in CAA to be sent to other places for communications and exhibitions. It included over 78 works of Ni Yide covering various forms from oil paintings to watercolor paintings and to sketches. It marked the fast growing influence and the first step to the nation for the branding project of art university museum exhibitions, “Master & Temple series”

In 1931, Ni Yide and Pang Xunqin launched an art organization called “Jue Lan Society” in Shanghai, which a had far-reaching influence on China’s modern and contemporary art. Ni Yide and Pang Xunqin were called “Jue Lan Twins” by the public so this communication exhibition in Changshu Art Museum had a special meaning: Changshu is the hometown of Pang Xunqin and there are a large number of works by Pang collected in Changshu Art Museum. The permanent exhibition in the museum “A Song for Jue Lan -- Art Exhibition of Pang Xunqin” echoed “Master & Temple -- Art Exhibition of Ni Yide” and this was a golden opportunity for works by “Jue Lan Twins” displayed together after so many years. Visitors could therefore have a thorough and comprehensive knowledge of their art works as well as the condition of China’s art in the first half of 20th century.