无界之归 第三届杭州纤维艺术三年展

      以一位具有代表性艺术家的个展,作为杭州纤维艺术三年展的一个单元是其展览结构的方式。这次我们邀请了尹秀珍。她根据场馆的现有条件,用七天时间、七个展厅,呈现了近年创作的七件作品。使用“七天”的间隔、次序和寓意构成了尹秀珍这次阶段性创作的研究性个案。她以纤维为主要媒介,或纤维的思维方式,通过收集、置换、拼接等各种织物,将个人经历、记忆痕迹和时代变化缝合、编织在一起,试图在现实的时空中寻找历时性的记忆,以时间的对位法来测度个体与社会之间复杂的关系。并在现场形成了置身于其中的感受与体验,营造了我们共同经验的“集体潜意识”。

 


      The way which Hangzhou Triennial of Fiber Art unfolded, is to adopt the solo exhibition of a representative artist as a section of its own exhibition structure. This time we invited the artist Yin Xiuzhen. Taking into account of the present conditions of the venues, Yin presented seven works which created in recent years into seven exhibition halls within seven days. By using "Seven days" intervals, different sequences and special implications, these elements constitute Yin Xiuzhen's resheach-oriented and staged creation. During her process, where fiber serves as the main media, or as the way to conceive, she sewed and weaved personal experiences, memory traces along with changes of time through collecting, replacing and stitching fabrics. In an attempt to find diachronic memories in real time and space, to measure the complex relationship between individuals and society with the method of counterpoint. At the scene, where the feeling of being present is formed, the "collective subconsciousness" of our ordinary experiences are created spontaneously.