展览标题：Inter-Youth国际高等艺术学院青年绘画展
主办单位：中国美术学院
承办单位：中国美术学院绘画艺术学院、中国美术学院美术馆
展览地点：南山路218号中国美术学院美术馆
展览时间：2016年12月29日——2017年1月12日
开幕时间：2017年1月5日上午10：00
总顾问：杨参军
总策划：井士剑
艺术总监：陈焰
年度策展人：马楠、宋振熙
我辈复登临
——写给2016“INTER-YOUTH”国际青年绘画展
唐代诗人孟浩然《与诸子登岘山》诗曰：
人事有代谢，往来成古今。
江山留胜迹，我辈复登临。
水落鱼梁浅，天寒梦泽深。
羊公碑尚在，读罢泪沾襟。
岘山何山？居然引无数前贤登临远望，兴怀感伤。实际上岘山是湖北襄阳南边的一座小山，晋代羊祜镇守荆襄，常于此山置酒言咏。岘山临汉水，诸山中是小而隐者，却可远眺群山，环览诸峰。羊祜曾与同游者喟然叹曰：“自有宇宙，便有此山，由来贤达胜士，登此远望如我与卿者多矣，皆湮没无闻，使人伤悲。”
在此岘山之上，代代圣贤不仅看到江山胜迹，而且感怀古今往事。孟浩然稍后的宋代欧阳修亦临山浩叹，写下明畅婉曲的《岘山亭记》。历代的圣贤将此山作为历史兴怀的现场，将寂寂无名的群山变为山河无言、人世循转的仪典之所，变为千秋百代的回忆者和被回忆者共同的窥秘之地。
那么，在我们的生活中，列布着多少这样的临山洞察的现场？或者说，我们的绘画之所是否正是这样的一座座“岘山”？画史铺陈，望之隐然，其绘风九曲，画峰叠峙，形成人类历史延绵的仪仗。在我们之前，曾有多少人在绘画中远望，我们肯定不是最早的“登临者”。“临”是一种亲历，“登”是一种跋涉，经过跋涉的亲历，我们是最新的来者。我们站在群山之间，站在隐秘与开放之间。
我们站在所有事物的隐秘与开放之间。我们希望由此超越出去，见前人所未见，发前人所未发。“情往似赠，兴来如答”，我们相信在我们的观看与绘画中，其情其兴总带着时代的机契，就如那鱼梁浅落、梦泽深寒，在某种人与自然共同的浸没中，我们努力趋向代代登临者的超越。
据说当年羊祜碑刻石二方，一方置于山巅，一方掷入江渊。孟浩然正是亲见江渊之碑而兴物感怀。与孟浩然一样，今天的绘画者在时代的登临中，在某个机契生发、山水浩荡的时刻，蓦然洞见千古的碑铭与诗意。于是，在这时代超越的同时，我们回返了那种更深刻的根源。我们正是在这超越与回返之间、隐秘与开放之间，完成绘画的登临。
正如岘山那般，绘画长存。但它时有所隐，隐在鱼梁沙洲、云梦深泽。绘画的使命就是因时而发，打开它，让江山胜迹、千古兴怀，永远感动人心。
“我辈复登临”。又一届“INTER-YOUTH”来了！
许江
2016年12月23日
序
本次以“实验·绘画”为主题的国际高等艺术学院青年绘画展，是去年的“此时·虚造”主题的发展与延伸。如果说，去年的展览强调了绘画是人的主体对自然世界的心理与生理的反映，那么，此次展览则更强调艺术家在想象力和创造力生成之中绘画方法论的研究。
绘画学院以全球视野，以学院的工作室教学与创作，青年个人工作坊创作等为平台，展示和研究当代青年人在创作过程中的思想萌动与技艺方法，并在中西艺术创作不同理念和方法的比较中，探寻今日青年人创作的主体特征。
Inter-Youth国际高等艺术学院青年绘画展已成为绘画学院以研创促进教学的重要学术品牌，它鲜明、前瞻性的思想品质，它强烈注重“技艺与方法”研究特点，以及它丰富多样的实验性征候，都将在不断地研讨深化中，为学院努力塑造艺理融通和传统活化的思想理念，铸造了一个实实在在的平台和实验基地。是为序。
杨参军
2016年12月15日
This International Higher Education ArtInstitutes Youth Art Exhibition with “Experiment·Painting” as the theme is the development and extension of the theme “Present·Fictitious” in last year. If we say, the exhibition in last year emphasizesthat painting is the psychological and physiological reflection of the humanfor natural world, then this exhibition pays more attention to the research onpainting methodology of the artists in generation of imagination andcreativity.
The College of Painting Art takes globalvision, studio teaching and creation of the College, personal studio creationof the youth, etc. as the platform to display and study the thought germinationand technological process of the contemporary youth during their creation andexplores the main characteristics of the creation of the youth today bycomparison of different concepts and methods of Chinese and western artisticcreation.
Inter-youth International Higher EducationArt Institutes Youth Art Exhibition has become an important academic brand ofthe College of Painting Art to promote teaching with research and creation, itsdistinctive and prospective thought quality, its strong attention to “techniques and methods” researchcharacteristics as well as its rich experimental symptoms are constantly beingdiscussed and deepened to establish a solid platform and experimental base forthe College to strive to build the idea of integration of art and truth as wellas tradition activation. This is the preface.
Yang Canjun Dec. 15, 2016
实验·绘画
Inter-Youth国际高等艺术学院青年绘画展是集世界一流艺术学院背景的优秀青年艺术家作品的展示与交流平台，它包含了青年作品的历史、现在、未来三种展示形态，具有高端、前沿、实验性的人文关怀精神以及追问绘画的本源传承、融合、创新的时代使命。
工作室（工作坊）是青年艺术家思想与创造的空间，在当代艺术创作的世界范围，青年艺术家一直具有探索与实践性、叛逆与质疑的特点，而青年艺术家们的工作室也充满了激情与想象力，形成未来艺术与发展的闪烁亮点和高度。
这个时代青年的绘画艺术具有丰富的想象力与创造力的实践性。本届画展以“实验·绘画——艺术家工作室报告”，强调工作室的社会责任与时代精神的含义。以工作室为“技艺与方法”之策源地，注重当代绘画的实践精神与传统的拓展与融合，充分地反映大绘画时代青年绘画艺术所具有的丰富的创造方式与艺术多元表现的手法，作品展览与征集强调为视觉艺术打开不同的视角，融合多元的绘画世界与绘画表现的方法。
艺术家工作室的创作历史激荡在波澜起伏辉煌艺术长河之中。从中西古老的传统作坊到文艺复兴艺术家的独立作坊，从传统工作室到走向大自然的工作方式。在中西艺术创作历史中的不同时期，无数青年艺术家从其独特的工作室理念出发，成为具有国际影响力的艺术家。纵览当代东西方艺术家形形色色的工作室（工作坊）空间，工作室是艺术家创作的策源地与作品的诞生场所，它是艺术革命的方式和先导，它是作品最初始的见证，是艺术家和作品的证人，它有界无疆。唐人苏鄂在《苏氏演义》中指出，“坊者，方也。言人所在里为方，方者，正也。”揭示出工作室（工作坊）的本然。绘者探究世界的本源，饱含了学习的热情和炼金术士般的执着，当代艺术家的工作室充满魅力与想象力，以隐秘和开放性并存。当代艺术学院的青年工作室，以历史的传承与当代学术的研究作为前沿的学术方向，是新绘画丰富多元的实验场，活跃在全球当代绘画领域，焕发出绚丽多彩的艺术创作风景线。
以全球学院学术工作室与当代青年个人工作室、青年艺术家组合工作室等工作室形式为背景所创造的作品，注重“画外之画”的展示方式。对艺术创作、社会思想背景和绘画进行解析与建构，呈现作品创作不为人知而又至关重要的思想背景与创作场景，还原形成艺术发生与创作在工作室与工作坊的情景境遇。展览分为三个板块：主题展、阐述展和特别邀请展。
基于这样的一个命题，本届Inter-Youth国际高等艺术学院青年绘画展致力于推出具有时代特色的当代青年艺术家作品及其工作室，呈现出作品创作背后的场景，诠释出“实验·绘画”的主题，揭示全球境遇下的青年艺术家的艺术作品以及艺术思想与创作形态，激发当代青年艺术的哲匠精神使命，迎接当代艺术的东方曙光。同时，为青年艺术创作提供一个高度的学术平台，连接社会生活与艺术创作，强化个性与创造，开拓国际视野，追求艺术本源。
本次展览还将设置“Inter-Youth工作室奖”，旨在弘扬绘画精神、倡导人文精神，鼓励青年艺术家以绘画的方式来关怀社会生活，创作出具有国际视野的时代艺术。通过“世纪之星Inter-Youth国际青年绘画展”，试图构造出一个可持续发展的战略品牌，成为时代青年绘画的推动力和新风向。
井士剑
2016年9月
Experiment·Painting
Youth Art Exhibition of Inter-Youth International Higher Education ArtInstitutes is intended to showcase the works by outstanding young artists with backgroundsat world-class art institutes and serves a platform for communication,including the works by the youth in three display forms of the past, present,and future. It demonstrates the top-notch, cutting-edge, experimental spirit ofhumanistic concern, and assumes the mission of the times of the continuation,fusion and innovation of the painting source.
The studio (workshop) affords space for sparking off thoughts andmaking creation for young artists. On the global arena of contemporary artcreation, young artists are characterized by traits for exploration andpracticality, rebellion and doubt. Young artists’ studios abound with passionand imagination, producing scintillating highlights and progress for future artand development.
This exhibition, themed on “Experiment • Painting - Report of ArtistStudio”, underscores the social responsibility of the studios and the meaningof the spirit of the times. Painting art by the youth in this era ischaracterized by their fertile imagination and creativity. Taking the studio asthe source of “skills and methods”, it sets store by the spirit of practice ofcontemporary painting and the traditional expansion and integration, and fullyreflects the rich creation methods and diversified techniques of expressionexhibited by the painting art of young artists. The exhibition and collectionof works highlights a different perspective for the visual arts, integratingthe pluralistic world of painting and the painting expression.
Based on the academic studioof the world’s art institutes, personal studios of contemporary artists, andjoint studios of young artists, etc. The works produced underlie thedemonstration form of “painting outside painting”. It realizes the reemergenceand construction of the artistic representation of the social thoughtbackground and painting experiments by the art creation. Through theexhibition, the little-known yet vital ideological background and creationscenes of the works are presented. It reproduces the scenario of art formationand creation at the studios and workshops.
The history of creation by artists’ studios is one of glorious andbrilliant achievements – ranging from the ancient Chinese and Western workshopsto separate workshops of Renaissance artists, from traditional studios to thegreat nature for production of works. During different periods in the Chineseand Western art creation history, countless young artists, starting with uniqueideas at the studios, have evolved into globally influential artists. Thestudios (workshops) of all descriptions used by contemporary Eastern andWestern artists are the source of creation by artists and the birthplace ofworks of art. The studio, as the guide to the art revolution, is the first tobear testimony to the works of art, and is a witness of the artists and theirworks. It is both bounded and limitless. According to the “Historical Novel ofSu” by Su E of the Tang Dynasty, “Workshop refers to square, meaning the placeof work is the square. Square refers to the square room.” It reveals the natureof studios (workshops). Lying behind the exploration for the origin of theworld by artists is the boundless enthusiasm for learning and unwaveringdedication. Contemporary artists’ studios exude charm and imagination, withboth privacy and openness coexisting. For the youth studios of contemporary artinstitutes, the continuation of history and contemporary academic study are thecutting-edge academic orientation; studios of contemporary young artists arethe testing ground of the richness and diversity of new painting. They areactive in the global field of contemporary painting and are the colorfullandscape of art creation.
Based on such a proposition, this “Inter-Youth” Youth ArtExhibition, through the form of creation at studio (workshop), uncovers thescenarios behind the creation of works, and elaborates the theme of “Experiment• Painting”. The exhibition is committed to launching the works of youngcontemporary artists with the characteristics of the times and their studios. This is geared toward presenting the works ofart, artistic thought and creation forms by young artists under the globalsituation, inspiring the mission of becoming “virtuoso craftsmen” in youngcontemporary artists and ushering in the dawn of contemporary art in the East. It is aimed atproviding young artists with a high-level academic platform for creation, in abid to connect the social life and art creation, reinforce individuality andcreativity, develop an international perspective, and seek the origins of art.
This exhibition will also set up “Inter-Youth StudioAward”, with the aim of promoting the spirit of painting, advocating humanspirit, and encouraging young artists to care for the social life throughpainting and to create the works of the era with a global vision. “Century StarInter-Youth International Youth Art Exhibition” aims to build a strategic brandwith sustainable development, becoming a new impetus and bellwether for thepainting by youth in the modern era.
Jing Shi jian
9/2016
部分参展作品：
Sean Williams, A Night On Fire, watercolour on paper,
Rumiyana Karastamova - Human landscape II, intaglio, 60x80cm, 2016
林致言《静静地等待你远方的召唤》100×180cm 布面油画 2014
徐小祥 《瓮中捉鳖》 200cmx180cm 油画 2016
