第四分会 欣赏与实用
Session 4: Appreciation and Utility
第4分会的主题是一种文化如何理解艺术的功能。就此议题，我们建议将讨论聚焦于艺术作品或工艺品之功能，及其作为艺术作品或手工艺品的功能是如何由其所扮演的社会角色所决定的。
This session is about how a culture understands the function of art. For this topic, we recommend a discussion focusing on the functions of works of art or artifacts and how such functions have been determined by the social roles which they have played over time.
国际主席|
Faya Causey
法亚·考西
Curriculum Vitae
个人简历
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法亚·考西，华盛顿国家美术馆教育部学术项目主任，其负责公众讲座项目（专题讨论会、会议、对话、座谈小组和讲座）、幕后学者日项目以及博物馆实习奖学金计划。她的研究主要是关于琥珀、前罗马意大利、博物馆学、当今米开朗基罗发现研究以及现代艺术家。其出版物包括《盖蒂博物馆的古代雕刻琥珀》在线数字目录（2012年），与纸质图书《琥珀和古代世界》（盖蒂，2012年）关联。其他出版物有关于西格马·波尔克和贝聿铭以及塞尚的研究。2010年在杭州，她展示了吴冠中在巴黎的作品。她曾于阿根廷、澳大利亚、智利、中国、巴西、英格兰、苏格兰、墨西哥和美国各地广泛演讲。
学术背景：美国加州大学艺术史专业学士；美国加州大学艺术史专业硕士（论文方向希腊瓶画）和艺术史专业博士（论文方向前罗马意大利琥珀）。加利福尼亚州帕萨迪纳艺术中心学院和加州州立大学长滩校区前终身教授。曾获塞缪尔·H·克雷斯基金会、克拉克艺术中心、美国国家美术馆视觉艺术高级研究中心、罗马美国学院等的学术奖金。
Faya Causey is Head of the Academic Programs Department, National Gallery of Art, Washington D.C where she is in charge of the public lecture program (symposia, conferences,conversations, divs, talks), the event of behind-the-scenes scholar’s days, and the museum program of internship and fellowship. She lectures and writes on amber, pre-Roman Italy, museology, a recent Michelangelo discovery, and on a few modern artists. Publications include the online digital catalogue, AncientCarved Ambers in the J. Paul Getty Museum (2012), which is linked to a paper-print book, Amber and the Ancient World (Getty, 2012). Other recent non-amber publications are on Sigmar Polke, I.M. Pei, and Paul Cézanne. In 2010, she presented works of Wu Guanzhong in Paris in Hangzhou. She has lectured widely, including in Argentina, Australia, Chile, China, Brazil, England,Scotland, Mexico, and throughout the United States.
Education: University of California, Riverside, BA (art history); University of California, Santa Barbara, MA (art history; thesis on Greek vase-painting) and PhD (art history; thesis on amber in pre-Roman Italy dissertation). Former tenured faculty of Art Center Collegeof Design, Pasadena, California and California State University, Long Beach. Fellowships included: Samuel H. Kress Foundation; Clark Art Institute; Center for Advanced Study in the Visual Arts, National Gallery of Art; and the American Academy in Rome.
中方主席
杭间
Curriculum Vitae
个人简历
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杭间，中国美术学院副院长、国美美术馆馆长。曾任《装饰》杂志主编、清华大学美术学院艺术史论系主任、汕头大学长江艺术与设计学院副院长、清华大学美术学院副院长等职。2006年教育部公派任美国康奈尔大学绘画与城市规划学院高级访问学者。
现任教育部高等学校艺术学理论专业指导委员会委员，全国文物与博物馆研究生教育专业委员会委员，中国美术家协会理事、理论委员会副主任，中国工艺美术学会理事、理论委员会副主任、中国文艺评论家协会理事、中国民间文艺家协会理事、浙江省民间文艺家协会主席等职。
杭间长期致力于工艺与文化研究，是中国工艺美学史系统性研究的开创者，并从20世纪80年代开始以理论批评的方式参与中国当代艺术的发展。
主要著作有：《中国工艺美学史》、《设计的善意》、《手艺的思想》等。
Hang Jian is vice president of the China Academy of Art (CAA), Director of the China Academy of Art Museums(CAAM). Notable positions which he has held in the past include: editor-in-chief of the journal ZHUANGSHI; director of the Department of Art History at Tsinghua University’s Academy of Arts& Design; vice president of Shantou University’s Cheung Kong School of Art & Design; vice president of Tsinghua University’s Academy of Arts & Design. In 2006, he was delegated by the Ministry of Education to serve as senior visiting scholar at Cornell University's College of Architecture, Art, and Planning.
Presently, Hang Jian is a member of the Ministry of Education’s Advisory Committee for Art Theory Studies in Colleges and Universities; member of the Advisory Committee for Postgraduate Studies in Cultural Heritage and Museology; director of the China Artists Association; associate director of the Fine Arts Theory Committee of the China Artists Association; director of the China Literary and Art Critics Association; director of the Chinese Folk Literature and Art Association; and chairman of the Zhejiang Folk Literature and Art Association.
Hang Jian has long been committed to craft and culture studies, and is a pioneer in the systematic research of the history of aesthetics in Chinese craft.
Notable publications: The Aesthetic History of Chinese Craft；The Kindness of Design; New Figurative Art.
青年主席
张春艳
Curriculum Vitae
个人简历
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张春艳，中国美术学院美术馆馆长助理，包豪斯研究院策展人。
主要研究方向为现代设计史、现当代艺术史。编著有《包豪斯：作为启蒙的设计》。
Assistant director of China Academy of Art Museums(CAAM) and curator of Bauhaus Institute at China Academy of Art.
The main research directions are history of modern design, modern and contemporary art history. Bauhaus: Design as enlightenment (Editor).
|第1版块||
第1版块都是较为经典的主题，并且相互之间有所呼应，主要探讨的是“艺术作品”和“工 艺品”如何反映出当时的空间、材料、技术、审美、历史、个人和政治方面的整体信息。
“欣赏”与“使用”这对术语是如何在不同文化语境下受到哲学、史学、生产、市场、政治、物品的生产和使用，以及大众接受度。这些术语不仅产生于特定的时间和空间条件下，也随着时代改变不断发生变化，并深受科学和技术的影响。
The terms Appreciation and Utility as used in art history are affected by philosophy, historiography, production, marketing, use and reception.These terms are not only time and place specific, but also have changed overtime, affected by science and technology.
发言嘉宾
Lothar Ledderose
洛塔尔·雷德侯
Colophons in China and the West
《中国和西方的题词》
Curriculum Vitae
个人简历
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洛塔尔·雷德侯，德国海德堡大学东亚艺术史教授，是西方汉学界研究中国艺术的最有影响力的汉学家之一。曾于2005年获巴尔赞奖。著作有《万物》（获列文森图书奖）、《米芾与中国书法的古典传统》等。担任柏林高级研究机构会员（1983-1984），华盛顿国家画廊视觉艺术高级研究中心梅隆资深研究员（1990-1991），剑桥大学斯雷德教授（1992），剑桥大学斯雷德教授（1994），芝加哥大学客座教授（1996），国立台湾大学、京东大学客座教授（1997），华盛顿国家画廊梅隆讲师（1998），洛杉矶盖蒂研究中心讲师（2000-2001），京都大学人文学研究中心成员（2006-2007），海德堡大学资深教授（2010）， 杭州中国美术学院客座教授（2013），北京故宫博物院顾问（2014）。
Lother Ledderose is a professor of the History of Art of Eastern Asia at the University of Heidelberg, Germany. A renowned authority in his field, he received the prestigious Balzan Prize in 2005. His most notable works include Mi Fu and theClassical Tradition of Chinese Calligraphy, Ten Thousand Things: Module and Mass Production in Chinese Art (wonthe Joseph Levenson Book Prize) etc. He was fellow and visiting professor at a great number of academic institutions, among which should be mentioned: Fellow of the Wissenschaftskolleg in Berlin (1983–1984), Senior Mellon Fellow at the Center for Advanced Study in the Visual Arts in Washington (1990–1991), Slade Professor at the University of Cambridge (1992), Murphy Lecturer at the University of Kansas(1994), visiting professor at the Universities of Chicago (1996), Taiwan (1997)and Kyoto (1997), Mellon Lecturer at the National Gallery of Art in Washington (1998) , Scholar at the Getty Research Institute in Los Angeles (2000–2001), Fellow, Institute for Research in Humanities, Kyoto University(2006-07), guest professor, China Academy of Art, Hangzhou(2013), Advisor, National Palace Museum, Beijing(2014).
Jessica Rawson
杰西卡·罗森
Ritual Vessels as Icons
《作为符号的礼器》
Curriculum Vitae
个人简历
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杰西卡·罗森爵士，英国考古学家、汉学家。现为牛津大学副校长（2006-），牛津大学墨顿学院院长（1994-），中国艺术与考古教授（2000-），英国学术院院士。罗森教授1943年出生于英国，毕业于剑桥大学与伦敦大学亚非学院，1976-1994年间担任大英博物馆东方部代理主任与主任，曾是大英图书馆董事会成员。2002年因对东方学研究的贡献被授予高级英帝国女勋爵士头衔。罗森教授的学术研究领域为中国艺术与考古，尤其是商周青铜器与汉代墓葬。
Professor Dame Jessica Rawson, British archaeologist, scholar on Sinology. She is vice chancellor of Oxford University (2006-), director of Merton College at Oxford University (1994-), professor of Chinese art and archeology (2000-2006), also the Fellow of the British Academy. Professor Rosen was born in England in 1943, graduated from University of Cambridge and SOAS (School of Oriental and African Studies), acting director and director of the Oriental Department at the British Museum (1976—1994). She was a board member at the British Library. In 2002, due to the contribution of Oriental Studies, she was awarded Dame Commander of the Order of the British Empire. Professor Rosen’s academic study focuses on Chinese art and archeology, especially the bronze vessel of the Shang and Zhou dynasties and the tombs of Han Dynasty.
尚刚
Official History and Manufacture in the Mongalian Yuan Dynasty
《正史与造作研究——以蒙元时代为例》
Curriculum Vitae
个人简历
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尚刚，中国古代工艺美术史家，1952年生，北京人。清华大学美术学院艺术史系教授。承担主要课程有中国工艺美术史、中国工艺美术断代史、中国工艺美术史料学。
学术研究集中在中国工艺美术断代史，对南北朝至元，特别是元代和隋唐五代心得较多。先后主持完成的科研项目有《魏晋南北朝工艺美术研究》（教育部课题）、《隋唐五代工艺美术研究》（全国艺术科学课题）、《清史·图录·文艺卷》（国家清史编篡委员会课题），现作为项目组主要成员，参与两项科研课题，其中，《中国现代手工艺的发展研究》为全国艺术科学重点项目。
Shang Gang is an art historian on ancient Chinese crafts and arts, born in 1952 in Beijing and the professor of Art History Department at Tsinghua University. His main teaching courses at the University are Chinese crafts and arts history, the dynastic history of Chinese crafts and arts, and the science of historical data of Chinese arts and crafts history.
His academic research focuses on the dynastic history of Chinese crafts and arts, from the Northern and Southern Dynasties (420-589 AD) to Yuan Dynasty, especially the Yuan Dynasty and the Sui, the Tang and the five Dynasties. He is the director of the research projects including “Arts and Crafts during the Wei and Jin and the Northern and Southern Dynasties” (the topic of Ministry of Education) ; “Arts and Crafts during the Sui, the Tang and the Five Dynasties” (National arts and sciences topic) ;and “Qing History·Catalog·Literature Volume” (the topic of National codification Committee on the Qing history). Currently, he is a key member of a project team, involved in two research projects of which “Modern Development of Chinese Arts and Crafts” is the key project of the national of Arts and Sciences.
Nino Simonishvili
尼诺·西蒙尼什维利
From Object as a “Museum” to a Museums Object: The Social Life of the Khakhuli Triptych
《从作为“博物馆”之物到博物馆藏品：卡克胡理三联画的社会地位变迁》
Curriculum Vitae
个人简历
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尼诺·西蒙尼什维利，格鲁吉亚独立学者，博士生导师。2008到2013主管项目“重建过去：传统和变化”，同时担任格鲁吉亚国家博物馆科学委员会成员，为格鲁吉亚国家博物馆国际系列讲座“中世纪：研究，复原，展览策略”的总负责人。1995到2006年任格鲁吉亚第比利斯大学艺术史副教授，其间担任第比利斯大学艺术史系“图像的起源”系列讲座组委会主席。他近年发表的论文包括：《皇家遗产的视觉观念，奥什基教堂圣施洗约翰的雕塑方案》、《身份的图像与图像的身份：中世纪格鲁吉亚的一对神迹般的圣像》等。
Independent scholar and PhD Advisor for Georgian students; 2008—2013, Project Director of “Reconstructing the Past: Tradition and Transformation", member of the scientific board of Georgian National Museum, head of the organizing committee of the international lecture series: “The Middle Age: Research, Restoration, Exhibition Strategy” at GNM. 1995—2006, Docent (Associate Professor) of Department of Art History at Tbilisi State University in Georgia, during which also is head of the Organizing Committee of the lecture series : "Die Genese des Bildes." Selected Articles include: “The visual concept for royal legitimacy. The Sculpted program of St. John Baptist Church of Oshki”(2015) ; “Images of Identity and Identity of the Images: Two miracle working icons in medieval Georgia” (2010).
David Bindman
戴维·宾德曼
Kant and the Incompatibility of Utility and Appreciation
《康德和“实用－欣赏”的矛盾》
Curriculum Vitae
个人简历
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戴维·宾德曼，伦敦大学艺术史荣休教授、哈佛大学艺术史客座教授（2010-2015）。他致力于研究18世纪的英国艺术、画家布莱克与贺加斯，著有《作为艺术家的布莱克》、《贺加斯与他的时代：严肃喜剧》，宾德曼教授同时也是《英国艺术史》的编辑；在做出这些杰出成就的同时，他的兴趣逐渐转向了西方艺术中的“非欧洲”艺术，出版了著作《从猿人到阿波罗：十八世纪的美学及种族概念》。2010年，他与安娜·克纳普合作策划了展览“黑与白中的非洲：哈佛艺术博物馆藏16-17世纪的版画”。
David Bindman is Emeritus Professor of the History of Art at University College London andVisiting Professor of the History of Art at Harvard University. He is a scholar of 18th century British art, and the author of books on Blake and Hogarth. His publications include Blake as an Artist (Phaidon Press,1977), Hogarth and his Times: Serious Comedy (London, British Museum Press, 1997), and he also is the editor of The History of British Art(Yale University Press, 2008). Over the course of his distinguished career, his interest turned to the representation of non-Europeans in Western art, culminating in the book Ape to Apollo: Aesthetics and the Idea of Race in the Eighteenth Century (Cornell University Press, 2002). In 2010, he has curated together with Anna Knaap the exhibition: “Africans in Black and White: prints of Harvard Art Museum from 16-17th century”.
