第二十一会场 多元与世界
Session21: Connecting Art Histories and World Art
第 21 分会的主题是“多元与世界”，提出艺术史、媒介和再现：面向一种后全球化经典，在不同语境下探讨艺术史正在或者已经取代过去那种围绕经典而展开的阐释。艺术史中的经典在过去、现在和将来是如何被再现和整合的，以及经典如何受到媒体的挑战、改变和转化。
Session 21,Connecting Art Histories and World Art, addresses the issue of the canon in art history,media and representation in the past, at the present and in the future.The question, “Towards a Postglobal Canon”underlies the session as a sub-theme as it encourages discussion of how the canon might be challenged,changed and transformed through media.
国际主席
Eva-Marie Troelenberg
埃娃·特勒伦贝格
Curriculum Vitae
个人简历
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意大利马普所佛罗伦萨艺术史研究所马克斯·普朗克研究小组负责人。其研究领域主要集中在艺术史、历史与文化交流，特别是伊斯兰艺术史学史及殖民与后殖民时代的伊斯兰美学传播、文化交流与大现代地中海、标准与标准批评、跨文化语境下的博物馆理论及收藏与展览的历史。2007 年担任慕尼黑艺术之家展览项目“传统的未来与未来的传统——‘慕尼黑穆罕默德艺术杰作展’之后的百年”的学术顾问，2014 年在柏林伊斯兰艺术博物馆的书画室与朱莉娅·贡内拉和卡塔琳娜·梅尼克合作举办摄影展“聚焦姆沙塔”。出版著作有：《绘图知识：（重新）建构历史：帕斯卡考斯特在埃及》、《蔓藤花纹，独角兽和隐形大师：艺术史学家有征兆的关注？》、《废墟的复活？恩斯特·屈内尔，弗里德里希·巴霍尔和 1945 年后姆沙塔墙面重建》、《马萨哈塔在柏林：用博物馆连接艺术史》等。
Max Planck Research Group Leader (W2), Kunsthistorisches Insti-tut in Florenz, MPI, Max Planck Society, studied art history, history and communications, especially the historiography and reception of Islamic art and Islamicate aesthetics in the colonial and postcolo-nial age, cultural exchange and the larger modern Mediterranean, canon and canon critique, museum theory and the history of collecting and exhibitions in an intercultural context. She has held two exhibitions: 2007: Scholarly consultant for Haus der Kunst, Munich, exhibition project “The Future of Tradition - The Tradition of Future. 100 years after the 'Exhibition of Masterpieces of Muhammadan Art'” in Munich; 2014: Photo exhibition“Mschatta im Focus” at the Book Art Cabinet of the Museum für Islamische Kunst in Berlin, in collaboration with Julia Gonnella and Katharina Meinecke. She has authored many publications: “Drawing Knowledge, (Re)Constructing History: Pascal Coste in Egypt”, International Journal of Islamic Architecture; “Arabesques, Unicorns and Invisible Mastes. The Art Historian's Gaze as symptomatic Action?”, Muqarnas; “Auferstanden aus Ruinen? Ernst Kühnel, Friedrich Bachor und der Wiederaufbau der Mschatta-Fassade nach 1945”, Jahrbuch der Berliner Museen.
中方主席
曹意强
Cao Yiqiang
Curriculum Vitae
个人简历
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英国牛津大学哲学博士。现任中国美术学院艺术人文学院院长，《新美术》主编，教授，博士生导师。第六届国务院学位委员会艺术学科评议组召集人、全国艺术专业研究生学位指导委员会美术与设计分委会召集人。教育部艺术学理论本科教育指导委员会副主任，中国美协艺术理论委员会委员，中国油画家学会常务理事。英国权威刊物 《艺术史》国际编委、英国《世界艺术研究》学刊编委、美国华盛顿 国立美术馆高级研究员、宾夕法尼亚大学访问教授、克拉克艺术研究院高级研究员、密西根大学访问教授、英国牛津大学阿什莫陵博物馆顾问。享受国务院特殊津贴。专著有《艺术学的理论视域》、《艺术与智性》、《艺术与历史》、《艺术史的视野》、《时代的肖像》等。主编《艺术管理学概论》、《美术博物馆学概论》。并提出“图像证史”、“艺术智性模式”和“观念的隐形之链”等理论。
PhD of Philosophy at Oxford University, the President of Advanced School of Art & Humanities at China Academy of Art, the general editor of New Art, Professor and Doctoral Tutor. He is also the review group convenor of Sixth Degree Committee of the State Council of discipline of art, the convener of Art and Design Sub-Committee of National Steering Committee for postgraduate of professional art, the Deputy Director of the Ministry of Education of Undergraduate Education Steering Committee of art theory, the member of the Chinese Artists Association Art Theory Committee, the Executive Director of the China Oil Painting Society. He is the international editorial board member of British authority publications, Art His-tory and the editorial board member of World Art Studies, a Senior Fellow at the National Gallery in Washington, Visiting Professor at the University ofPennsylvania, Senior Fellow at Clark Art Institute, Michigan, Visiting Professor at the University of Oxford in England and the Consultant at Ashmolean Museum. He was approved to receive the State Council special allowance. He puts forward the theories of “The Visual Images as Evidence of History”, “Visual Art Wis-dom mode” and “Invisible Chain of Ideas” and etc. His monograph includes Theory Area of Art, Art and intellectual, Art and History, Perspectives on Art History, Portrait of the Times and etc. He is the general editor of Introduction to Arts Management and Introduction to Art museology.
青年主席
范白丁
Fan Baiding
Curriculum Vitae
个人简历
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中国美术学院艺术人文学院讲师。2011 年赴英国伦敦大学瓦尔堡研究院访学，撰写关于潘诺夫斯基思想成长的博士论文。曾发表多篇关于文艺复兴艺术理论的文章，并于 2014 年赴佛罗伦萨参加由哈大佛学文艺复兴研究中心召开的“意大利文艺复兴时期的空间”学术研讨会。当前的学术关注点为艺术史学史以及图像学传统等问题。
Lecturer of Advanced School of Arts & Humanities at China Academy of Art, Visiting Scholar at Warburg Institute at the University of London in 2011, writing on the doctoral dissertation on the shifts of Panofsy’s thoughts. He has published several articles on the theory of the Renaissance art and in 2014, went to Florence to attend academic seminar, “Space in Renaissance Italy” held by the Renaissance Research Center at Harvard University. His current academic focus is on the history of art history and the tradition of image science and etc.
发言嘉宾
John Onians
约翰·奥尼恩斯
《为什么我们仍然需要研究世界艺术》
Why We Still Need World Art Studies
Curriculum Vitae
个人简历
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东安格利亚大学世界艺术名誉教授，主要研究建筑学（尤其是意大利文艺复兴时期的建筑学理论）、古希腊罗马的绘画、雕塑与建筑、拜占庭艺术、物质文化、隐喻与思维、觉察与认知、艺术的生物学基础，近期着力于建立神经学艺术史。他于1978 年创办《艺术史》期刊并担任编辑。自1971 年至 2007 年，于东安格利亚大学担任视觉艺术系教授以及世界艺术研究项目主任。期间，对该校艺术史系的发展以及世界艺术研究与博物馆学学院的创建起推动作用。主要著作有：《希腊化时期的艺术与思想》、《意义的承载者》、《古希腊和罗马的古典艺术与文化》、《神经元艺术史：从亚里士多德和普林尼到巴克森德尔和萨基》。
Professor Emeritus of World Art at the University of East Angelia, Norwich and specialised in architecture, especially the architectural theory of the Italian Renaissance; painting, sculpture and architecture in Ancient Greece and Rome; Byzantine art, material culture, metaphor and thought; perception and cognition, and the biological basis of art. His recent work has been instrumental in the establishment of Neuroarthistory as a distinct set of methodologies. He was Founder Editor of the journal Art History in 1978. He was Professor of Visual Arts and Director of the World Art Research Programme at the University of East Angelia from 1971 until his retirement in 2007 where he was instrumental in the development of the Art History department, and the creation of the School of World Art Studies and Museology. He has authored four books: Art and Thought in the Hellenistic Age, Bearers of Meaning, Classical Art and the Cultures of Greece and Rome, Neuroarthistory: From Aristotle and Pliny to Baxandall and Zeki.
|第一版块 从民族国家经典到全球经典|
Part 1 From National to Global Canons
发言嘉宾
Benjiamin Binstock
本雅明·宾斯托克
《后全球化的维米尔？媒体在经典建立和重建中的作用》
A Post-Global Vermeer? The Role of Media in Canon Formation and Reformation
Curriculum Vitae
个人简历
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文艺复兴与巴洛克艺术、艺术方法论的研究学者，曾于哥伦比亚大学、纽约大学、纽约市立大学研究生院讲学，现执教于库伯联盟学院，并在美国和欧洲广泛讲学。他的著作《维米尔家庭的秘密：天才、发明和不为人知的学徒》，为维米尔的研究提供了一种新的解释，即维米尔的绘画是以他的家庭成员为模特创作的，并第一次列出了维米尔的绘画年表。宾斯托克还提出，维米尔有五分之一的作品都出自他的长女玛利亚之手。
Specialist in Renaissance and Baroque art and art historical method, has taught at Columbia University, New York University, the CUNY Graduate Center, and presently the Cooper Union for the Advancement of Science and Art, and has lectured widely in the United States and Europe. His Vermeer’s Family Secrets: Genius, Discovery, and the Unknown Apprentice (2009), offers a new account of Johannes Vermeer’s paintings based on his family members as models and the first painting-by-painting chronology of his development. Binstock also proposes that one-fifth of the paintings now attributed to Vermeer were created by his eldest daughter Maria.
|第二版块 游历之为载体|
Part 1 Travelling Agents, Travelling Forms
发言嘉宾
Zeng Qunkai
曾群凯
《平行地理与平行试验：新疆艺术生态中的艺术史式样和实验》
The Parallel Geography and the Parallel Test: The Style and Experiment of the Art History in the Art Ecology of the Xinjiang Province in China
Curriculum Vitae
个人简历
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1987 年生于湖北，2010 年毕业于新疆艺术学院。现为艺术家、批评家、新疆 7 坊街创意产业集聚区策展人、新疆当代美术馆副馆长、新疆油画学会副秘书长、中国民主同盟中央美术院新疆分院秘书长。策划“散装启蒙”1985 年的新疆新艺术回顾展、“乙场讲述”新疆当代80'S 新锐艺术展等省级展览，联合策划“粉色公见”中国女性艺术展、 “日常牧场”新丝绸之路国际影像展等国内国际活动。获 2012 年中央美术学院青年艺术批评奖优秀奖等全国奖项。
Born in the Hubei province in China in 1987, and graduated from the Xinjiang Arts University in 2010. Now Daniel is the Artist, the Critics, the Curator of at the Xinjiang Seven Lane Street in the creative industrial gathering area, the Deputy Director of the Museum of the Contemporary Art, Xinjiang, the Deputy General Secretary of the Oil Painting Society in Xinjiang, and the member of the Cultural Work Committee in the Xinjiang Regional Committee in the Chinese Democratic League. Planning “The Enlightenment in bulk” - On The 1985’s New Art Retrospective in Xinjiang, “The Narration on the Second Occasion” - On the Xinjiang Contemporary 80'S New and Prominent Art Exhibition, and so on at the provincial level. Joint planning “The Pink and Public Perspective” - On the Chinese Female Art Exhibition, “The Daily ranch” - On the New Silk Road International Image Exhibition and the other domestic and international activities. Obtain the Outstanding Award of the Youth Art Criticism Award by the China Central Academy of Fine Arts in 2012, such as the national awards in China.
MIlena Gallipoli
米莱娜·加利波利
《塑造经典：在十九世纪，作为全球传播媒介的石膏模型》
Casting the Canon: Plaster Casts as Global Dissemination Media During the Long Nineteenth-Century
Curriculum Vitae
个人简历
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布宜诺斯艾利斯大学视觉艺术与教育研究生，并已完成圣马丁国立大学阿根廷艺术与拉丁美洲的艺术史硕士学位，现为圣马丁国立大学艺术史专业在读博士。在劳拉·马洛塞蒂·科斯塔博士的指导下，她在论文中探讨了十九世纪末的石膏模型的流通和消费与国立贝拉斯艺术博物馆阿根廷石膏模型的收藏结构。她有着活跃的研究活动，参加了探究雕塑与装饰之间联系的研究小组和为阿根廷雕塑家罗赫略·伊鲁蒂亚的成就编目的研究小组。
Graduate student in Arts (Visual Arts Orientation) and Teacher Degree by Buenos Aires University. Current PhD candidate in Art History by the Universidad Nacional de San Martín (UNSAM) and finishing her Master of Arts in Argentinean and Latin American Art History by the same university. Her dissertation investigates the circulation and consumption of plaster casts towards the end of the nineteenth-century and the conformation of the Argentinean plaster cast’s collection in the Museo Nacional de Bellas Artes under the direction of PhD Laura Malosetti Costa. Among her research activities, she is involved in investigation groups that inquire the bond between sculpture and ornamentation and the cataloguing of the archive of Argentinean sculptor Rogelio Yrurtia.
|第三版块 经典的外延|
Part 1 Expanding Canons
发言嘉宾
Annette Bhagwati
安妮特·巴格瓦蒂
《借鉴还是再现？学生练习作品（S.E.A）对形成越南当代艺术经典的影响》
Reference or Representation? The Impact of S.E.A. (Students Exercise Artworks) on Canon Formation of Vietnamese Contemporary Art
Curriculum Vitae
个人简历
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柏林世界文化宫展览“100 年的现在（2015-2018）”和“住房问题”的策展人，蒙特利尔康考迪亚大学艺术史助理教授。曾在弗莱堡、柏林和伦敦学习艺术史、非洲艺术和社会人类学。1999 年从伦敦的东方和非洲研究学院获得博士学位后，在柏林世界文化宫成为内部策展人和项目协调员（1999-2006），并参与组织策划展览，包括展览“过去和未来之间：中国当代摄影”、“趣味的政治：东南亚的当代艺术”，“黑色大西洋：艾萨克·朱利安，基思·派珀，利瑟·庞杰，蒂姆·夏普和远东新的距离”和“定向障碍”。她的学术关注点包括跨文化展览策划、经典的建构、策展研究，以及亚洲和非洲的当代艺术。
Project director of “100 Years of Now (2015-2018)” and “Wohnungsfrage” at the Haus der Kulturen der Welt (HKW), Berlin, and Affiliate Professor of art history at Concordia University, Montreal. Annette Bhagwati studied art history, African arts and social anthropology in Freiburg, Berlin, and London. After receiving her PhD from the School of Oriental and African Studies (SOAS), London, in 1999, she became in-house curator and program coordinator at the HKW (1999-2006), where she organised and co-curated a wide range of exhibitions, including “Between Past and Future: Contemporary Chinese Photography” (2006), “Politics of Fun: Zeitgenössische Kunst aus Südostasien” (2005), “Black Atlantic: Isaac Julien, Keith Piper, Lisl Ponger, Tim Sharp and Far New Distance” (2004) and “DisOrientation” (2003). Her research interests include transcultural curating, canon-building, curatorial research as well contemporary arts from Asia and Africa.
Andrew Causey
安德鲁·考西
《“原始”而“文明”：西方艺术经典中的托巴巴塔克雕刻》
“Primitive” Yet “Civilized”: Toba Batak Carvings in the Western Canon of Art
Curriculum Vitae
个人简历
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哲学博士，芝加哥哥伦比亚学院人文、历史和社会科学系文化人类学副教授。其研究兴趣包括物质文化（人工制品）、艺术、旅游等领域，其关于沙摩西岛托巴巴塔克的研究综合了以上领域。他的专著《苏门答腊岛的激烈议价：托巴巴塔克和纪念品市场的西方游客》试图探讨通过经济交易所体现出的西方旅行者和托巴巴塔克的人际交互作用的本质。考西发表了许多关于托巴巴塔克的生活和文化等方面的文章，如《巴塔克自我：个人、精神、集体》，以及人类学教育学方面的《人工制品的持有、绘制、触摸、鉴定和销售》。
Associate Professor of Cultural Anthropology in the Department of Humanities, History, and Social Sciences at Columbia College Chicago. Professor Causey’s research interests include the fields of material culture (objects), art, and tourism, all of which came together in his research with the Toba Bataks on Samosir Island. His monograph Hard Bargaining in Sumatra: Toba Bataks and Western Tourists in a Souvenir Marketplace (University of Hawaii’ Press 2003), he sought to understand the nature of interpersonal interactions between western backpack travelers and Toba Bataks via economic transactions. Causey has published numerous articles on other aspects of Toba Batak life and culture (“Batak Selves: Personal, Spiritual, Collective”, in Everyday Life in Southeast Asia, 2011), and on anthropology pedagogy (“Objects Possessed, Drawn, Touched, Identified, and Sold”, in Museum Anthropology, 2015).
Valerie Gonzalez
瓦莱丽·冈萨雷斯
《当今世界的碰撞：伊斯兰和东亚艺术展示哲学之比较》
Today Worlds Collide: A Comparative Reflection on Islamic and Eastern Asian Art’s Display Philosophy
Curriculum Vitae
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伊斯兰艺术史、美学和视觉文化的研究学者。于马赛吕米尼的艺术学院获得硕士学位，于艾克斯－马赛大学获得伊斯兰研究的博士学位。她的研究探讨了从过去到现在的伊斯兰艺术创作的关键问题，例如隐喻性、抽象性、图案装饰的形而上学或装饰的哲学。她的研究使用跨学科的方法，涉及的领域和方法包括艺术批评和理论、审美现象学、审美哲学和语言学，以及与其他艺术的比较。她同时也为延续穆斯林传统的当代艺术家或是对伊斯兰美学感兴趣的艺术家撰写批评文章。她分别获得过洛杉矶的盖蒂研究所、麻省理工为伊斯兰建筑设立的阿加汗计划、普林斯顿高等研究所授予的研究基金。她的主要著作包括：《莫卧儿绘画中的审美杂糅：1526 年-1658 年》、《所罗门的陷阱：古兰经中的艺术思想》以及《美与伊斯兰教，伊斯兰艺术与建筑美学》等。
Specialist of Islamic art history, aesthetics and visual culture. She obtained a PhD from the University of Provence Aix-Marseille in Islamic Studies, and a Master of Fine Arts from the School of Fine Arts, Marseille-Luminy. Her research addresses key issues in Islamic artistic creation of past and present such as figurality, abstraction, pictorial metaphysics or the philosophy of ornament. Her work relies on an interdisciplinary methodology ranging from art criticism and theory, aesthetic phenomenology and philosophy to linguistics, as well as the comparison with other arts. She also writes critical texts for contemporary artists of Muslim heritage and interested in Islamic aesthetics. She was awarded scholarships from institutions such as The Getty Research Institute, in Los Angeles, the Aga Khan Program for Islamic Architecture at MIT, and the Institute for Advanced Study, Princeton. Her book list includes among others: Aesthetic Hybridity in Mughal Painting, 1526-1658, Ashgate 2015; Le piège de Salomon, La pensée de l'art dans le Coran, Albin Michel, 2002, and Beauty and Islam, Aesthetics of Islamic Art and Architecture, IBTauris, 2001.
